ALICE CAMPOS
A darkroom is a passage into alternate realms. Placing myself within these darkrooms for over 6 years they have dealt my photographs a conceptual card. It is here that camera-less photography such as Chemigrams, Luminograms and Photograms have riddled my photographs with repetitive patterns. All in an attempt to understand my tangible surroundings, using the un-tangible enlarger light.
By shooting 35mm, Large Format and Polaroid the camera I choose to use lends me the lens’s knowledge to fix my sights on immaterial and situational snap shots of reality. The camera does not question what is captured, so it is not bias to what it sees. I therefore question what I have imprinted onto my small plastic hand held sheets of ‘proof’. – Alice Campos
‘Your on-going experimental research into contact modalities, working with light, etheric medium and observation seem to have yielded some new data/knowledge and real insight into the nature of reality, energy and consciousness.’ – B Camplin, Senior Lecturer in Fine Art at Goldsmiths University
Alice’s work is unique and printed by hand
MORE WORK COMING SOON
All print enquiries: tom@opendoors.gallery
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Cassette No.1, 2019
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Untitled polaroid #2, 2019
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Circular Modality, 2019
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A Borrowed light. Myself and My Father, 2019
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A Dependable Prism Pattern, 2019
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Purpled Back Hue, 2019
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Brushed Blue, 2019
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Sold Out EditionResponsive Surroundings, 2019
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No.2 With in hand, 2019
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Untitled Polaroid #1, 2019
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Circular Divide, 2019
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An Empty Form of Perception, 2019
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Sector #3, 2018
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Sector #2, 2018
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Sector #1, 2018
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