Description
OD Photo Prize 2024 | Shortlisted Artist
Selected by our International Jury from over 1200 submissions
Raised in the Southern states of Tennessee and Texas, André Ramos-Woodard (b.1994, he/they) is a photographer and artist who uses their work to emphasize the experiences of the underrepresented: celebrating the experience of marginalized peoples while accenting the repercussions of contemporary and historical discrimination. His photographs conveys ideas of communal and personal identity, influenced by their direct experience with life as a queer African American. Focusing on Black liberation, queer justice, and the reality of mental health, Ramos-Woodard works to amplify repressed voices and bring power to the people.
Image Description | authenticity (2 CHAINZ), 2022, Pastel and colored pencil on archival inkjet print, 21″ x 27″
Artist Statement | “Anti-Blackness seems inescapably mixed into whatever context I search through; photography, science, government, art… look into any “field” and see for yourself. My people have had to cry, scream, and fight for respect for centuries, and we still have not gained what we rightfully deserve. To move past the damage this has been done to our society, we can’t simply deny our history—we must recognize it. We must acknowledge the many ways in which this country has perpetuated a racial hierarchy since these lands were first colonized and stripped from indigenous peoples by white supremacists, and Black people were stolen from their native land and brought to America by those very same people. In BLACK SNAFU (Situation Niggas: All Fucked Up), I use my camera as a tool to accentuate the realities of my Black experience, turning the lens on my proudly Black body, my family, found objects, and the places I inhabit. These photographs are then juxtaposed with appropriated hand-drawn depictions of Black people that I’ve found throughout the history of cartooning. The fact that the images are made by my hands allows me to fight back against the historically racist caricatures that I steal; reclaiming them in my pieces to depict Blackness authentically. By combining these ambivalent visual languages, I intend to expose to viewers America’s deplorable connection to anti-Black tropes through pop culture while simultaneously celebrating the reality of what it means to be Black.” — André Ramos-Woodard
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All print enquiries:
tom@opendoors.gallery
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