Cecilia Bonilla’s multidisciplinary practice spans across collage, photography, video and sculpture, through to large-scale installations and site-specific interventions. In her compositions Bonilla often appropriates mass-produced imagery from sources such as discarded books, fashion magazines and catalogues. Taking this existing imagery she subverts its original meaning through subtle alterations or amendments which reconfigure, distort and dismantle the original image source. Throughout her work, themes of domesticity, the ideals of beauty, ‘lifestyle’ and other social constructs are questioned, corrupted and undermined through minimal, yet skilful assemblage and modification.
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